Selected Works
clavier-übung 1: prelude and fugue - solo piano and electronics
for Jonathan Hannau
dissolved through the fields - for cello, tenor saxophone, and accordion - 7'
premiere: July 2020, Trio SÆITENWIND, St. Petersburg New Music Festival
endless light - for kinetic sound objects, fixed media, and live electronics - 21'
premiere: Mar. 4, 2020, Jack Langdon, Hopkins Center, Hanover, NH
Orgelbüchlein - for organ and fixed media - 26'
premiere: Aug. 2, 2019, Graeme Shields, Second Reformed, Kalamazoo, MI
outward (1) - for solo electric guitar - 11'
premiere: Feb. 17, 2020, Jack Langdon, Hopkins Center, Hanover, NH
here (5): a hyperdocumentation - for flute and fixed media - 9'
premiere: June 28, 2019, Sara Constant, Splice Institute, Kalamazoo, MI
here (7): land images, one - a text score for ensemble and field recordings - var.
premiere: June 14, 2019, Southland Ensemble, Los Angeles, CA
The Problem of The Surface - for double bass, piano, and fixed media - 13'
premiere: May 18, 2019, DePaul University, Chicago, IL
here (4): a poetics of art labor - a multimedia opera for four performers, installation, film, and scratch orchestra - 94'
premiere: Apr. 7, 2019, Mise-En Place, NYC
guitar book 1 - for tabletop guitar, transducers, and fixed audio/video - 11'
premiere: Dec. 2018, Jack Langdon, Chicago, IL
here (3): sound images of the worker, part one - for e. guitar, e. bass, organ, and fixed media - 12'
premiere: Greenlight New Music Festival, Oct. 14-17, 2018
reorientation series - a quartet of albums
reorientation: 1 (June 20, 2018)
yeah uh hmm - for 8 performers and fixed media/audio score - 9'
premiere: The St. Olaf Percussion Ensemble, Apr. 28, 2018
we're going to do things differently now 1 - for modular improvising ensemble - var.
first version: SAIC Improvisation Class, April 16, 2018
sometimes/not without 1 - for alto flute - 6'
premiere: Joshua Weinberg, Apr. 7, 2018
what do i do now (self-portrait) - for two voices, ensemble, and fixed a/v - 17'
premiere: RenegadeEnsemble, Apr. 7, 2018
fun (1) - for cellist with two bows and lamp
premiere: unperformed
fun (2): good night - for two pianists and film - var.
premiere: Langdon/Mahoney Duo, July 17, 2018
the end of saro - a chamber opera for 8 singer/speakers, chorus, electronics, amplified cello, amplified percussion, and amplified recorders - 45'
premiere: The St. Olaf Lyric Theater, May 12, 2017
division - for two trumpets, celesta, objects, and sine tones - 9'
premiere: Steven Garcia/Tristan Frank/Jack Langdon/Jamie Koffler, May 8, 2017
cataract - for large concert band - 11'
premiere: Apr. 9, 2017
here (1) - for piano, field recording, and video - 9'
premiere: Jack Langdon, Apr. 1, 2017
mic studies - for performer with mics, guitar, piano, and hairdryer - var.
premiere: Jack Langdon, Feb. 28, 2017
taking time - for cello, trombone, live electronics, video performer, dancer - var.
premiere: Willem Mudde/Adam Lee Sanders/Jack Langdon/Jamie Koffler/Cosi Pori, Feb. 28, 2017
1.a - for trombone, cello, and live electronics - 12'
premiere: Adam Lee Sanders/Willem Mudde/Jack Langdon, Nov. 29, 2016
interiority - for string quartet - 5'
premiere: Mivos Quartet, June 23, 2016
forest/cathedral - for organ and quad fixed media - 16'
premiere: Jack Langdon, Feb 28, 2016
Upcoming Works
another world is possible - for large ensemble
for Composers Conference
transformed into each other - for string quartet and fixed media
outward (2) - improvising ensemble and audio score
for The Contemporary Music Lab
reorientation series - a quartet of albums
reorientation: 2 - electric guitar
reorientation: 3 - organ
reorientation: 4 - piano
chorale preludes - solo organ
for Diane Meredith Belcher
here (2): the space of performance, part one - an ongoing performance-documentary for e. guitar and video
[new work] - an 8-channel radio play with organ